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Won 1 Oscar. Another 96 wins & 252 nominations. See more awards » Learn more More Like This Comedy | Drama 2 3 4 5 6 7 8 9 10 7. 4 / 10 X In 2002, an artistically inclined seventeen-year-old girl comes of age in Sacramento, California. Director: Greta Gerwig Stars: Saoirse Ronan, Laurie Metcalf, Tracy Letts Biography 7. 3 / 10 Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse and recovery in a family coping with addiction over many years. Felix van Groeningen Steve Carell, Maura Tierney, Jack Dylan Grazer Romance 8 / 10 An introvert freshman is taken under the wings of two seniors who welcome him to the real world. Stephen Chbosky Logan Lerman, Emma Watson, Ezra Miller 7. 9 / 10 Jo March reflects back and forth on her life, telling the beloved story of the March sisters - four young women, each determined to live life on her own terms. 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Noah Baumbach Adam Driver, Scarlett Johansson, Julia Greer History Hal, wayward prince and heir to the English throne, is crowned King Henry V after his tyrannical father dies. Now the young king must navigate palace politics, the war his father left behind, and the emotional strings of his past life. David Michôd Tom Glynn-Carney, Gábor Czap, Tom Fisher A poor yet passionate young man falls in love with a rich young woman, giving her a sense of freedom, but they are soon separated because of their social differences. Nick Cassavetes Gena Rowlands, James Garner, Rachel McAdams A girl in a small town forms an unlikely bond with a recently-paralyzed man she's taking care of. Thea Sharrock Emilia Clarke, Sam Claflin, Janet McTeer Edit Storyline CALL ME BY YOUR NAME, the new film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old young man, spends his days in his family's 17th-century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a 24-year-old American college graduate student working on his... Written by Sony Pictures Classics Plot Summary Plot Synopsis Taglines: Is it better to speak or die? Did You Know? Trivia Timothée Chalamet, in an interview with The Canadian Press news agency, said that director Luca Guadagnino was tempted during production to buy the Italian villa where the film was shot--which was not too far from his apartment in a nearby town. Chalamet said a group of others on the production talked him out of the purchase. See more » Goofs When Elio and Oliver are at the car preparing to head off to Lake Garda with Sam, Elio has his right foot up on the open back door panel during their conversation. However, when the shot changes to Oliver's point of view in the front seat, Elio clearly has his left foot up on the door frame. Then back outside and it's right foot again. See more » Quotes Elio: Malfada? Mom? Yeah, it's me. Yeah, everything's fine, I'm at the station in Clusone. Listen, Mom, can you... [ voice breaking] Can you come get me, mom? See more » Crazy Credits Although the movie has a full opening credits sequence, the title of the film is not shown on screen until the end credits begin. See more » Soundtracks Zion hört die Wächter singen (from the cantata BWV 140 "Wachet auf, ruft uns die Stimme") Written by Johann Sebastian Bach Arranged and transcribed by Wilhelm Kempff Performed by Alessio Bax Published by Boosey & Hawkes Courtesy of Signum Records See more » Details Release Date: 19 January 2018 (USA) Also Known As: Call Me by Your Name Box Office Budget: EUR4, 000, 000 (estimated) Opening Weekend USA: $412, 932, 26 November 2017 Cumulative Worldwide Gross: $41, 887, 595 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».

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Call me by your name takes place in Rome one summer when a 17 year old adolescent played by Timothée Chalamet is transfigured by a bond with a college-grad played by Armie Hammer in a somewhat forbidden but beautiful relationship. Call me by your name is about the tenderness of first love, the depth and long lasting marks that love leaves you with and the utmost form of desire and ownership to be one with another. This was a brilliant film that takes its time to slowly burn through the summer in Rome but to harshly cut to the departure and ending, as out of nowhere as the beginning. A transcending dream like state as viewers follow Elio through his summer.
Indeed, As an audience you often don't appreciate as much until it is gone towards the very end. This film captures that state and creates an euphoric and erotic journey about identity and love. Call me by your name was wonderfully embodied and captured by the two leads, Armie Hammer and Timothée Chalamet. First of all, Armie Hammer portrays his character of Oliver to a level of brilliance and perfection, smoothly and mesmerizingly slipping from the firm, boisterous character in public to the tender, thoughtful character in his privacy. Whereas Timothée Chalamet perfectly blends shy and defenceless with a sense of taking charge and trying to seem more 'grown up' or more 'mature. Both of these performances were definitely what makes the film such a great watch, adhering to the cinematic trope of 'show don't tell' as a matter of fact, the acting work was transpired ever so brilliantly with the simple dilation of the eye and slightly awkward movements.
Call me by your name at its core is about conflict and confusion, specifically those in one's tender age of adolescent. The lack of identity is a great theme that call me by your name wonderfully discusses. This can be seen through out by the deliberate contrast made in the artistic choices, from larger symbolic contrasts like Elio's logic sensibility in contrast to the irrational, sensual and illogical love and relationship that he forms with Oliver; and the seemingly logical, wise and systematic parents of Elio to the relationship of the leads. Down to details such as the pattern of Elio's shirt, with faces representing the many identities, and therefore lack f identity in the character.
But, also at the center of this film is the love between Elio and Oliver most symbolically represented by the title of the film: Call my by your name, an action referred to in several points of the movie. A quote seemingly the utter opposite of self identification is the core of the film, the idea of which the largest extent of love is the complete segregation from 'I' and the transition to 'us' an almost ironically tragic idea to present to Elio considering his own lack of identity.
In fact, as the film does illustrate to the very end this sense of confusion and pain and tragedy that befalls him is in fact the utmost importance in his journey to maturity. An overall message so wonderfully delivered directly through Michael Stuhlbarg riveting monologue in the final act of the film. He says: We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste! A chilling and riveting message to the audience, of the value in hurt and the importance of pain. So, call me by your name can certainly be considered a sad, tragic, heartbreaking film. But in fact, the message that comes through is that the pain is what allows us to grow.